Anglistentag 2005 Bamberg
Beschreibung
Christoph Houswitschka, Gabriele Knappe, Anja Mülle (Eds.)
Anglistentag 2005 Bamberg. Proceedings
ISBN 978-3-88476-860-0, 688 S., kt., € 75,00 (2006)
(Proceedings of the Conference of the German Association of University Teachers of English, Bd. 27)
Christoph Houswitschka, Gabriele Knappe and Anja Müller (Bamberg)
Preface
Section I: Violence and War in Anglophone Cultures
Barbara Schmidt-Haberkamp (Bonn)
Violence and War in Anglophone Cultures: Introduction
George S. Rousseau (Oxford)
'The hate that is not in us': British Literature and Acts of Extreme Violence
Michael Szczekalla (Greifswald)
'Honour Hath No Skill in Surgery Then?' – Apologies for Cowardice in Early Modern English Literature
Astrid Erll (Giessen)
Representing the 'Indian Mutiny' in Imperial and Postcolonial Media Cultures
Susanne Peters (Düsseldorf)
Constructing Individual and Collective Sensibility: Archaeology, Violence, and the Body in the Fiction of Arundhati Roy, Michael Ondaatje and Rones Gunesekera
Merle Tönnies (Paderborn)
Forms and Functions of Violence in Contemporary Black British Drama
Christiane Schlote (Bern)
Monuments of Protest and War: Literary Representations of Memorial Architecture
Norbert Schaffeld (Bremen)
Contemporary Revenge Plays by Canadian Women Playwrights
Pascal Nicklas (Leipzig)
The Devil of Violence – Joseph Conrad's Heart of Darkness in the Light of Francis Ford Coppola's Apocalypse Now Redux
Section II: The Sensual Renaissance
Stefani Brusberg-Kiermeier (Potsdam) and Anja Müller-Wood (Mainz)
The Sensual Renaissance: Introduction
Beatrix Busse (Münster)
Linguistic Aspects of Sensuality: A Corpus-Based Approach to Will-Construing Contexts in Shakespeare's Works
Michael Steppat (Bayreuth)
Globe of Sinful Continents: Desires in the Henriad
Sonja Fielitz (Marburg)
'When Bolingbroke rode on roan Barbary': Equestrian Culture in the Early Modern Period
Enno Ruge (Munich)
Renaissance Sensuality vs. 'Puritan' Love Marriage in John Marston's The Dutch Courtesan
Jürgen Klein (Greifswald)
Renaissance Sensusalism Methodized: Francis Bacon, Wunderkammern, Natural History and the Beginnings of Systematic Empiricism
Jennifer Richards (Newcastle)
Eating Honestly: Fashioning a Temperate 'Self'
Brigitte Glaser (Göttingen)
Revealing and Concealing: Samuel Pepys's Double Pleasure in Textualizing Physicality
Gesa Stedman (Giessen)
'Wholy degenerated and metamorphosed': Cultural Exchange, National Identity and Fashion in the Seventeenth Century
Section III: British and American Studies as Media Studies
Antje Kley (Kiel) and Angela Krewani (Marburg)
British and American Studies as Media Studies: Introduction
Eckart Voigts-Virchow (Chemnitz)
Adaptation, Adaptation and Drosophilology, or Hollywood, Bio-Poetics and Literary Darwinism
Philipp Wolf (Giessen/Rödermark)
Modern Media, Absence and the Desire for Real Presence
Kai Merten (Giessen)
Visions of Visuality: Wordsworth and the Media around 1800
Randi Gunzenhäuser (Munich)
Moving Sound: The Aural as the Repressed Sense of Modernism
Sigrun Meinig (Bielefeld)
'How to give birth to our own images': Media Culture, Illness and the Possibility of Self-Made Narrative
Monika Seidl (Vienna)
Flow, Overflow and The Sopranos
Nadja Gernalzick (Mainz)
A Brief Introduction to Filmic Autobiography, with Special Reference to Serial Filmic Autobiography
Karin Esders (Potsdam)
Engendering Feminist Media Theories: Stereotypes, Looking Relations, Gender Trouble
Section IV: The Return of Biography
Martin Middeke (Augsburg) and Helga Schwalm (Berlin)
The Return of Biography: Introduction
Susanne Rupp (Berlin)
Milton Regained: Postmodern Biographical Criticism in Milton Studies
Eva-Maria Orth (Jena)
Biographers' Journeys
Christoph Bode (Munich)
'The utmost that we know': The Subject of (Auto-)Biography (Shakespeare – Wordsworth – Brooke-Rose – Bob Dylan)
Christoph Ehland (Würzburg)
Approaching Keats: In Search of the Writer in Factual and Fictional Spaces
Werner Huber (Vienna)
'Personalised lumps of matter': Beckett, Joyce and Auto/Biography
Julijana Nadj (Giessen)
Towards a Theory and Typology of Fictional Metabiographies: Forms and Functions of a New Genre
Jürgen Schlaeger (Berlin)
Selves for the Twenty-First Century
Section V: Modern English in the Making
Marianne Hundt (Heidelberg) and Ursula Lenker (Munich)
Modern English in the Making: Introduction
David Denison (Manchester)
Category Change in Late Modern English?
Ulrich Busse and Anne Schröder (Halle-Wittenberg)
From Prescriptivism to Descriptivism? 140 Years of English Usage Guides: Some Old and New Controversies
Gabriele Knappe (Bamberg)
The Treasury of Phrases in Roget's Thesaurus of English Words and Phrases (1852)
Renate Bauer (Munich)
'Lord Castlereagh moved [...] Mr. Ponsonby objected': Parliamentary Debates of the Early Nineteenth Century
Claudia Claridge (Kiel)
Comparison in Nineteenth-Century Non-Fictional Prose
Nadja Nesselhauf (Heidelberg)
The Decline of be to and the Rise of be going to in Late Modern English: Connection or Coincidence?
Christian Mair (Freiburg)
The Eighteenth and Nineteenth Centuries as a Critical Period in the Formation of the Modern English System of Nonfinite Complement Clauses
Anette Rosenbach (Düsseldorf)
On the Track of Noun+Noun Constructions in Modern English
Section VI: Varia
Monika Bednarek (Augsburg)
Sobbing, Screaming and Shouting? Reporting Expressions in the British Press
Brigitta Mittmann (Erlangen-Nürnberg)
With a Little Help from Friends (and Others): Lexico-pragmatic Characteristics of Original and Dubbed Film Dialogue
Britta Mondorf (Paderborn)
Rewriting English Grammar Books: Factors Constraining the Choice between Synthetic and Analytic Comparative Forms
Christoph Schubert (Würzburg)
Productivity in Recent English Word-Formation: Adjective Neologisms
Anja Hill-Zenk (Hamburg)
No Laughing Matter? German Humour in England: The Transfer of Short German Comic Prose Texts to England in the Sixteenth and Seventeenth Centuries
Marie-Luise Egbert (Leipzig)
Weather-proof Arcadias and Tropical Theme Parks: New Versions of Pastoral
Ingo Berensmeyer (Siegen)
Reader Adew: Literary Contingency and Authorial Negativity in The Anatomy of Melancholy